To make a collaboration succeed there can be no visible contusions or abrasions. For the collaboration to succeed, the relationship must be nourished and survive. That is absolutely essential for a collaboration to succeed.

Eclectic is a word that appears almost as much as the word smarmy in rock journalism and I've come to the fact, just as a personal side, this reminds of Oscar Wilde's insight that criticism is the highest form of autobiography. I think that's exactly what rock journalism has attempted to do, to celebrate its autobiography at my expense.

To make a collaboration succeed there can be no visible contusions or abrasions. For the collaboration to succeed, the relationship must be nourished and survive. That is absolutely essential for a collaboration to succeed.

The older I get, the better I was.

By doing what I do, by just staying, pardon me, true to myself and maintaining my maverick position, unbranded, unbought in a corporate sense, I've managed to migrate to and participate in the work of people far younger than my own children. This astounds me. It makes me feel all at once, beyond retirement age, as a player in the present tense. I'm a lucky guy.

I don't want to give too much lugubrious thought to the gravitas of a coherent album. I don't want to develop a life of slavery to a large topic. I want to throw out some singles and that's what I'm doing, and they're not to be done in any other way.

You know, any sane magician would never reveal his method of deception. And I don't think that a sensible musician would either.