The music I really like to get off on is the old rhythm 'n' blues and rock 'n' roll stuff... that's what I really dig. And I also dig to sing ballads as well. And I also dig writing my own songs. I was just trying to find a way of integrating the whole thing, taking a look at the total picture.

Spiritual hunger and spiritual thirst But you got to change it On the inside first To be satisfied

That's what it is-it's jazz. It's just jazz. That's what the whole thing is about to me. It's about what's happening right now in this context. This conversation is jazz to a certain extent. It's improvisation. What appeals to me about music is the improvization. That's what I don't like about the media-they're not living it.

I always record far more than I can use. There's probably twice as much recorded as comes out.

Skiffle was blues featuring a washboard and acoustic instruments. It encompassed blues, with elements of folk, jazz, and, at times, American country-and-western music.

The Eternal Kansas City song came from a dream sequence. It was actually kind of weird. I had this dream about a Kansas City type of thing while I was up at Stevie Winwood's place near Cheltenham, in Britain. I went into this small town and I was walking along and this dream thing was still in my head.

I'd come to the point where I wasn't really putting out creatively. I didn't seem to have anything to say in that period of time after the '74 tour. There was nothing definite that I wanted to record.