The job of the jazz people is to take it as far as it will go and that's what they're doing. But in the process of taking it out there, there has to be some times when they're not getting it right. It all depends on what you dig. I personally don't think the fusion of jazz with the heaviness of rock is working.

And I shall watch the ferry boats, and they'll get high, on a bluer ocean against tomorrow's sky. and i will never grow so old again, and i will walk and talk, in gardens all wet with rain.

It's not that big a mystery about types. It's not even that big a mystery why so many people are picking up on things now. It's like we were talking about the primitive thing before and all that. Nothing has really changed much. The things that have changed are like we're on the noon now. There are more buildings now. But we're still basically two monkeys sitting here.

I like [George] Benson because I just like it. I like that kind of style. I don't like the broken up kind of style. I don't like where you play for 16 bars and then break it up into what somebody's version of what birds twittering sounds like, or what the sound of the city is, or what New York sounds like.

What I like is natural music. It's like I was born with a gift to do something naturally, which I have no choice but to followup on.

The media is going to stick a label on records. And the public is going to pick it up from that. And that's what I was getting sick of-the whole analyzation thing.

No guru, no method, no teacher, just you and I and nature, and the father in the garden.