There was a conflict - the actual putting together of the reality of the situation didn't seem to gel. I'd been doing kind of a slow ballad type of thing on records, but when it came to performing, I felt I was limiting myself.

I've been in America for almost ten years. I've had many parts of the American experience. I've been all over this country and seen many different parts of it. It's just that I'm not an American. I've never become an American. I'm talking about the whole thing-psychologically, citizenship, the whole trip. Of course I've definitely been influenced by America-I'm definitely influenced by the music and the culture.

I just need somewhere to dump all my negativity.

[Rock 'n' roll] is still a primitive form and there's no way you can get away from that. It's one of the primitive art forms and that's why it's good and that's why it's lasted...you know, it hasn't become sophisticated and it's not in the opera house.

I'd much prefer to hear somebody like Ed Thigpen [drummer with New York session group Stuff, and featured on innumerable hits] take a solo. I mean, that's what it is. I'd much rather hear that than the jazz/rock thing because it's blowing an aspect of jazz that I really like...the level where you can snap your fingers to it and you can groove to it. You can do anything to it.

I like to see people reaching back for the roots and for the reason why. Not intellectually, but just for the gut feeling of what it's all about.

It's real difficult to pin down directions. I just want to do collaboration-tape stuff.