The fact I wasn't getting off made me realize that I really had to take a hard look at it and at the type of music that I played, which ranges from ballads to country type stuff to rock and rhythm 'n' blues. It takes in a wider spectrum.

Have I told you lately that I love you, have I told you lately there's no one above you. Fill my heart with gladness, take away all my sadness, ease my troubles, that's what you do.

I like [George] Benson because I just like it. I like that kind of style. I don't like the broken up kind of style. I don't like where you play for 16 bars and then break it up into what somebody's version of what birds twittering sounds like, or what the sound of the city is, or what New York sounds like.

What excited me when I first came into it was the performing aspect and doing blues-oriented material, rock/blues oriented stuff, basic stuff, basic what they call rock 'n' roll.

Once in a blue moon someone like you comes along.

A lot of things come together to make up a song. It's just images.

When I started out in this business, I was a performer before I was a songwriter, I was a performer before I was recording. Performing is the roots. That's where it all came from. You didn't start out doing it because you wanted to make an album.