For a long time, I couldn't actually deal with playing concerts, it was a totally alien concept to me, 'cos I was used to playing in clubs and dance halls.

There's quite a few people getting into that - new acts coming along that are using a lot of stuff that happened in the 50s and 60s. They're completely ignoring the 70s which is kind of a turn on because to me nothing has really gone down in the 70s.

What I don't like is taking it to extremes and making all these intellectualizations about what basically is simple music. It's simple stream-of-consciousness stuff in my songs. What I'm trying to get across is misinterpreted.

There's always stress involved in any genre or art form, there's always going to be a struggle. If there's no struggle, you wouldn't do anything. What are you going do? Retire?

Joyous Sound evolved from a gospel influence. Actually it evolved out of sitting at a piano and just picking out a riff, a gospel type riff. It just seemed to come joyously-something about the song, about living in another place of joyous sounds. I'm not quite sure-that's one I'm trying to analyze. It just came out.

You can call it nostalgia, I don't mind Standing on that windswept hillside Listening to the church bells chime Listen to the church bells chime In that magic time.

It's not that big a mystery about types. It's not even that big a mystery why so many people are picking up on things now. It's like we were talking about the primitive thing before and all that. Nothing has really changed much. The things that have changed are like we're on the noon now. There are more buildings now. But we're still basically two monkeys sitting here.