For three years between 16 and 19 I was the opening-act-for-the-opening-act-for-the-opening-act, you know? And then I was on tour with Ice-T, Stetsasonic, EPMD, Sir Mix-a-Lot--legends--and went on to sell 160 million records. It still baffles me.

As for music and my place in it, maybe things are changing a little bit. I know this: a good song is deeper than a tattoo. It'll remind you of the car you're driving and the girl you're going around with and the streets you're cruising. It's better than a photo album. A song is a tattoo that you never lose. 'Ice, Ice Baby,' man, you'll remember that when you're 90.

This was totally influenced by me and the direction that I am writing about and the stuff that I am writing about. There is just no way that you can be as intense as what I have been through in my life over a drum beat machine, sample, or loop; it's just not going to happen.

A lot of people think I was an overnight success, but I was an opening act for three or four years, and then I signed my contract with EMI. Then it kind of blew up overnight.

Negativity spreads faster than any Justin Bieber song.

When 'Ice Ice Baby' was selling a million records a day, I bought several properties: a home next to Michael J. Fox in L.A., a palace in Miami and a mountain cabin in Utah. Then, a few years later, I took a break from touring, saw that my properties had cobwebs, so I sold them, and - to my surprise - I made a huge profit!

And all the zig-zags and lines in my hair? I used to do that myself. I just thought it was cool that you could actually do that with your hair.