I bring myself innately to it, yeah. I bring those details as much as I - what I don't obsess over is, there are certain ways I might've pushed it even a little more. For example, [to Warren] your accent. I know Warner Bros. at one point came in. I don't know, until you came to set, I know I wore that long tartan skirt and the ruffled blouse for that.

Whenever I wore it there were some questions whether the outfit was just too over the top. I'm like, "Do you know who you're dealing with here, and her eccentricities, her style, her flair?" These little things were sometimes those - I love it. I love having a real-life model. But I also do flush it out with my own personal experiences and my own essence, and hopefully they mesh together.

There are women who make things better, there are women who change things, there are women who make things happen, who make a difference. I want to be one of those women.

When I look at female characters, I want to recognize myself in them - my trials, my tribulations as a mother, as a wife, as a lover, as a daughter.

Partying has never been my thing. I've been around some wild people. I've been in the same room and watched them experiment, and that's been entertaining.

I am drawn to intimate, often uncomfortable portraits of a woman persevering and awakening.

I just wanted to make sure that yes, that those horror - they worked as a genre. To me, I just wanted to be touched by the film in the way that I saw plausible. Which is the story about compassion - giving and receiving it in those desperate times of need.