Whenever I wore it there were some questions whether the outfit was just too over the top. I'm like, "Do you know who you're dealing with here, and her eccentricities, her style, her flair?" These little things were sometimes those - I love it. I love having a real-life model. But I also do flush it out with my own personal experiences and my own essence, and hopefully they mesh together.

The fears and anxieties and obsessions wrapped up in being a parent.

But I think for me, why I was drawn to the piece is, at the core of the story, it's a love story to me - between Ed and Lorraine, between these two families who are asking for help and us who are in the business of giving help.

I rely on my directors, a lot. I love being directed.

Partying has never been my thing. I've been around some wild people. I've been in the same room and watched them experiment, and that's been entertaining.

Just because I’m telling a story about a woman losing faith is not my rebellion against what I grew up in. If anything, it really affected the way I approached the story, and in fact, approach everything. I don’t judge my characters.

It's a delicate thing for me, with how involved I am in social media and being a part of people's lives in a way that they want me to.