I just wanted to make sure that yes, that those horror - they worked as a genre. To me, I just wanted to be touched by the film in the way that I saw plausible. Which is the story about compassion - giving and receiving it in those desperate times of need.

To me representing clairvoyance, how was I going to achieve that, how I was going to capture that? For me, it all became about her gaze and the way she takes you in. It's a rhythmic thing and a stillness thing to consider but these are little details, little nuances. We were invited to the sanctity of her home and there were roosters running around and she's screaming, "Jackie, be quiet!" Even though she's in the middle of the thing. And these are the details that we wanted to incorporate into our story.

We take a lot for granted as second wave feminists, what our mothers and aunts did for us.

I just can't feel lukewarm about a character. I either despise her, admire her, or don't understand her and want to understand her.

I rely on my directors, a lot. I love being directed.

You dont have to be gay to be attracted to your friend.

My personality is just innately even-keeled. I'm not such a huge daredevil. Which is not to say I'm not a passionate woman. I don't know, maybe it's my physiological makeup, but I don't like the feeling of anything in my system, other than a glass of wine now and then.