I've always been creative verbally, had a flair, my teachers said - wrote great expository essays in elementary school, scribbled little poems, embraced all writing assignments. And all along I read voraciously - first in Russian and then, after we left the USSR, in English, and even Spanish.

At some point, sitting in the school library, during reading period, I looked up from my leopard print hardcover composition notebook where I was scribbling a derivative [John Ronald Reuel ] Tolkien epic full of purple prose in tiny handwriting and thought to myself, "Damn! I am a writer! How did that happen?".

I see no profound progress taking place when there is no hope, no inspiration, only drastic overthrow and rebellion. Before having a revolution of thought there must be real ideals to aspire to, and they are only to be found within.

Seems to me that there is no better way to experience the depth of loss than after the fact. No more powerful instrument of imbuing value in an object than parting with it.

I sat down and wrote a short story in two weeks and submitted it to Marion Zimmer Bradley. And Marion bought "Wound On The Moon" .My first sale and my first pro sale rolled into one.

Imagine a delicious glass of summer iced tea. Take a long cool sip. Listen to the ice crackle and clink. Is the glass part full or part empty? Take another sip. And now?

Snowflakes swirl down gently in the deep blue haze beyond the window. The outside world is a dream. Inside, the fireplace is brightly lit, and the Yule log crackles with orange and crimson sparks. There’s a steaming mug in your hands, warming your fingers. There’s a friend seated across from you in the cozy chair, warming your heart. There is mystery unfolding.