A related recurring theme is the exploration of how we take for granted the things in our immediate environment that are common and ordinary. Existential blindness, of sorts.

A tornado of thought is unleashed after each new insight. This in turn results in an earthquake of assumptions. These are natural disasters that re-shape the spirit.

And it is a quiet terrible thing, too, to discover the value of love this way [after loss] - when the object of love is no longer there, when love dies or goes away or changes. When it is too late.

Clad in metaphor, the world becomes newborn to our senses, like a phoenix. It is the most effective fresh presentation of the elements of our life for our jaded, numbed, even ailing sense of imagination.

I think I became [writer] despite myself - tricking myself into it, really.

A woman is human. She is not better, wiser, stronger, more intelligent, more creative, or more responsible than a man. Likewise, she is never less. Equality is a given. A woman is human.

What we need in fantasy is the sudden balm of clarity - a temporary reprieve from life's white noise and clamor of pain, a kind of time-out. Such clarity, a new perspective, is made possible by fantastic metaphor.