In Lords of Rainbow I start out by taking away color from the world, and in the process show color's vital place in our lives. At least I hope that by the end of the book it's a portion of what the reader comes away with - a sense of how much color perception enriches our lives and how its lack can make our sensory experience incomplete.

The pyramid shape is said to hold many secrets and amazing properties. One of them is a sense of wonder.

Creativity is not so much a boundless well, but an all-you-can-eat buffet of elements for your creative endeavor. Eventually you've eaten your fill, and it's time to digest and then make something. But at some point, it will be time to return to the restaurant.

I'll tell you a secret. Old storytellers never die. They disappear into their own story.

Marion Zimmer Bradley took apart my first submission to her, covered the manuscript in red ink revisions, and told me to try her again. I had never been so reeling with authorial joy as I had been that day, holding Marion's letter and seeing that ravaged manuscript - finally, it meant that someone cared!

My characters often start out with a loss of some sort, usually a loss of emotion or purpose or hope. What I do in the course of my writing is weave a thematic arc of fulfillment. It is my constant theme as a creator.

The Gingerbread House has four walls, a roof, a door, a window, and a chimney. It is decorated with many sweet culinary delights on the outside.But on the inside there is nothing-only the bare gingerbread walls.It is not a real house-not until you decide to add a Gingerbread Room.That's when the stories can move in.They will stay in residence for as long as you abstain from taking the first gingerbread bite.