When you're a writer, you hear your internal critic, and that's really hard to get over. And then sometimes you hear critiques from classmates and stuff. But when a book comes out, it's just hundreds of opinions and you have to learn to separate out the ones you want to listen to or figure out many you want to listen to.

That’s one way of looking at it. I prefer to look at it another way—which is that if they are persistent enough, even tiny drops of water, over time, can change the rock forever. And it will never change back.

Do the elevators work?" I ask Uriah, as quietly as I can. "Sure they do." says Zeke, rolling his eyes, "You think I'm stupid enough not to come here early and turn on the emergency generator?" "Yeah," says Uriah. "I kinda do.

Since he saved me from the attack, I have associated his smell with safety, so as long as I focus on it, I feel safe now.

Beatrice," she says. "Beatrice, we have to run." She pulls my arm across her shoulders and hauls me to my feet. She is dressed like my mother and she looks like my mother, but she is holding a gun, and the determined look in her eyes is unfamiliar to me.

So how can I hold Tobias’s desperation against him, like I’m better than him, like I’ve never let my own brokenness blind me?

Did you just call me BEATRICE?