Ignore them. They don't know what it is to make a difficult decision." "You wouldn't have done it, I bet." "That is only because I have been taught to be cautious when I don't know all the information, and you have been taught that risks can produce great rewards.

How is it I know this little about the boy who says he loves me -- the boy whose real name is powerful enough to keep us alive in a train car full of enemies?

I have to admit that Christina is good—though I don’t like giving credit to Candor smart-mouths—and so is Peter—though I don’t like giving credit to future psychopaths.

This concept could easily have gone awry. Stories about love tend to go that way sometimes. They wander into the realm of cheese and never return, which I think is a shame, because there is a way to write about romantic love without breaking out the Velveeta.

Four flips the gun in this hand, presses the barrel to Peter's forehead, and clicks a bullet into place. Peter freezes with his lips parted, the yawn dead in his mouth. "Wake. Up," Four snaps. "You are holding a loaded gun, you idiot. Act like it.

Fear doesn't shut you down; it wakes you up. I've seen it. It's fascinating." He releases me but doesn't pull away, his hand grazing my jaw, my neck. "Sometimes I just...want to see it again. Want to see you awake.

It must be because you're so approachable", I say flatly. "You know, like a bed of nails." He stares at me, and I don't look away. He isn't a dog but the same rules apply. Looking away is submissive. Looking him in the eye is a challenge. It's my choice. Heat rushes into my cheeks. What will happen when this tension breaks? But he just says, "Careful, Tris.