He smiles in my memory. A curled lip. Straight teeth. Light in his eyes. Laughing, teasing, more alive in memory than I m in reality. It was him or me. I chose me. But I feel dead too.

Eric called Al's suicide brave, and he was wrong. My mother's death was brave. I remember how calm she was, how determined. It isn't just brave that she died for me; it is brave that she did it without announcing it, without hesitation, and without appearing to consider another option.

I suppose that now would be the time to ask for forgiveness for all the things I've done, but I'm sure my list would never be complete. I also don't believe that whatever comes after life depends on my correctly reciting a list of my transgressions...I don't believe that what comes after depends on anything I do at all.

It's not often real that you encounter the real person behind a good-natured mask, the darkest part of someone. It's not comfortable what you do.

Color fills her cheeks, and I think it again: that Johanna Reyes might still be beautiful. Except now I think that she isn't just beautiful in spite of the scar, she's somehow beautiful with it, like Lynn with her buzzed hair, like Tobias with the memories of his father's cruelty that he wears like armor, like my mother in her plain gray clothing.

He seems designed specifically for speed and deadly accuracy. But not strength, not particularly-he is smart, but not strong. Only strong enough to carry me.

I read somewhere, one, that crying defies scientific explanation. Tears are only meant to lubricate the eyes. There is no real reason for tear glands to overproduce tears at the behest of emotion. I think we cry to release the animal parts of us without losing our humanity. Because inside of me is a beast that snarls, and growls, and strains toward freedom, toward Tobias, and, above all, towards life. And as hard as I try, I cannot kill it.