When I reissue these Minimal Wave Record songs, I also re-master them. With Oppenheimer Analysis, it turned out that the band still had the master tapes. So, Martin Lloyd from the band and I baked the tapes to restore the quality.

I had been digging so much for my show, Minimal Wave - constantly finding fresh old material to play every week - that I ended up discovering all these obscure bands that no one had really heard here. It was very exciting to be able to play their records on the air for a new audience and be able to get instant feedback.

I was attracted to the aesthetics of post-punk bands and also their specific histories. Some of these acts could have achieved the level of fame of Joy Division or other peers, but circumstances didn't allow for it. I was looking at some old music charts in the magazine Vinyl - and all these songs had a brief moment in the Top 20 in various European countries. Then, they vanished. It's really fascinating, and sometimes a bit sad.

I don't really like the bands that think they're still in 1982. It's boring. When retro sounds are combined with a modern approach, it can be great.

I think Oppenheimer Analysis had the most accessible material for commercial success. Martin Dupont, Deux, Linear Movement, Moderne and Stereo held a lot of potential as well.

I was really into what is called "minimal synth" - music made strictly on analog synths, and also cold wave, basically a more synth-based version of European post-punk, at that point. So, I decided my own show Minimal Wave was a good way to combine the minimal electronics aspect with the "wave," where guitars come into play.

When I reissue these Minimal Wave Record songs, I also re-master them. With Oppenheimer Analysis, it turned out that the band still had the master tapes. So, Martin Lloyd from the band and I baked the tapes to restore the quality.