After you read the script, then you actually just have to be in the moment you're in, in order to make it believable. You can't give it away. You can't tip it off. For me, it's always about being truthful in the moment I'm in. Hopefully, being able to reveal what I'm feeling, you have to believe it.

In our show you have to pay attention and know what happened before. I think it's very intelligent entertainment. It makes demands of viewers that a lot of shows don't.

Sometimes, his methods and his motives are questionable and even his morals are questionable in the way he does things. But I think his intention is always to protect his daughter.

We, some cast members and I, even went on a weekend trip together and spent the weekend at an inn, because we enjoy each other's company so much, and it was so cool.

I grew up in the theater, and you can't improvise Shakespeare and Ibsen. You have to speak the language. But obviously, in a contemporary film, there's often room for improvisation and spontaneous things that happen. As long as I know what I'm trying to achieve in the scene, and when something comes up, I know that the response is genuine, I'm comfortable. That's really how I build everything.

The only set thing I do is that I really, really memorize the lines. I've gotta be so comfortable with the words.

And when I go to see plays, I marvel at how people can do that. I've done it all my life, but I still find it mystical.