The most sinister aspect of Jack is his detachment, his ability to distance himself from his feelings.

I grew up in the theater, and you can't improvise Shakespeare and Ibsen. You have to speak the language. But obviously, in a contemporary film, there's often room for improvisation and spontaneous things that happen. As long as I know what I'm trying to achieve in the scene, and when something comes up, I know that the response is genuine, I'm comfortable. That's really how I build everything.

We, some cast members and I, even went on a weekend trip together and spent the weekend at an inn, because we enjoy each other's company so much, and it was so cool.

Thank goodness I started getting movie roles and then television shows came along. So I was very fortunate to be able to do all three and I like all of them.

When I first read the script a few years ago I thought it was one of the best written scripts I had ever read.

One day, we were doing a serious scene and fast talking like we do and we could not stop laughing and the director had to stop the production. We had to go to our trailer and calm down and do it all again.

I have no skills. The only thing I could possibly do is teach.