The word Gothic, in the sense in which it is generally employed, is wholly unsuitable, but wholly consecrated. Hence we accept it and we adopt it, like all the rest of the world, to characterize the architecture of the second half of the Middle Ages, where the ogive is the principle which succeeds the architecture of the first period, of which the semi-circle is the father.

Nobody loves the light like the blind man.

Love has no middle term; either it destroys, or it saves. All human destiny is this dilemma. This dilemma, destruction or salvation, no fate proposes more inexorably than love. Love is life, if it is not death. Cradle; coffin, too. The same sentiment says yes and no in the human heart. Of all the things God has made, the human heart is the one that sheds most light, and alas! most night.

Let us admit, without bitterness, that the individual has his distinct interests and can, without felony, stipulate for those interests and defend them. The present has its pardonable amount of egotism; momentary life has its claims, and cannot be expected to sacrifice itself incessantly to the future. The generation which is in its turn passing over the earth is not forced to abridge its life for the sake of the generations, its equals after all, whose turn shall come later on.

The thirst for the Infinite proves infinity.

Who among us has not sought peace in a song?

Night and the day, when united, Bring forth the beautiful light.