Primitive times are lyrical, ancient times epical, modern times dramatic. The ode sings of eternity, the epic imparts solemnity tohistory, the drama depicts life. The characteristic of the first poetry is ingeniousness, of the second, simplicity, of the third, truth.

Spira, spera. (breathe, hope)

A strange thing has happened, do you know? I am in darkness. There is a person who, departing, took away the sun.

There is a spectacle more grand than the sea; it is heaven; there is a spectacle more grand than heaven; it is the conscience.

And if it happened to be a Christmas-night when the great bell seemed to rattle in its throat as it called the faithful to the midnight mass, there was such an indescribable air of life spread over the sombre facade that the great door-way looked as if it were swallowing the entire crowd, and the rose-window staring at them.

The eye of a man should be still more reverent before the rising of a young maiden than before the rising of a star. The possibility of touch should increase respect. The down of the peach, the dust of the plum, the radiated crystal of snow, the butterfly’s wing powdered with feathers, are gross things beside that chastity that does not even know it is chaste. The young maiden is only the glimmer of a dream and is not yet statue. Her alcove is hidden in the shadows of the ideal. The indiscreet touch of the eye desecrates this dim penumbra. Here, to gaze, is to profane.

The world of sleep has an existence of its own.