I was in a Led Zeppelin cover band in high school, and my highlight was playing "Misty Mountain Hop" at a coffee house in Wayne, Pennsylvania. I wasn't allowed to play any instruments; I could only be the singer because I was a girl.

With us, people caught on to something on our third album, and that will never be repeated. Basically, I don't really have any complaints about the way that Beach House has grown. I feel like we're still in control of what we're doing, and it's a great time in our existence.

The guys in high school were like, "You've got a nice voice; you should keep singing," but I never honestly thought that one day I'd be a singer. When you're young, you don't see the signs.

There's something to be said for being classically trained on piano, but not having your whole makeup be tied to one instrument.

It's always about trying to make everything go with the music, like a script. It's not like, 'Let's have a confetti gun!' If I ever have one of those, it will be because it's absolutely the right thing at the moment in the song. I can't just go get a confetti gun.

As long as artists can make something, artists will continue to survive.

When something goes into the world, you immediately begin to develop another perspective on yourself, another identity.