People talk about method actors, meaning someone that's prepared very, very well, or whatever they mean when they talk about it. But the right method is whatever works for you. And what works for me on any given day is going to be different.

I grew up with horses when I was a kid in Argentina. I like them. I respect them. I'm careful around them. You never know what they're going to do. They're endlessly interesting. I've had some good acting partners that were horses over the years.

I'm not that involved in personal grooming. But I try not to be offensive to people.

I suppose a good director is like a teacher. I think that someone like David Cronenberg was very much like a teacher, because there's an openness, but a certain set of rules of behavior, and a certain conduct expected. But there's an atmosphere that's relaxed and conducive to exploration, and that is created by someone like Cronenberg.

Most movies are lucky to have one moment, one shot that you look at and you always remember that moment and that scene.

With few exceptions, one ought always do what one is afraid of.

Photography, painting or poetry - those are just extensions of me, how I perceive things; they are my way of communicating.