I'm an optimist; I always hope that each new script is going to be a great story.

I'm just looking as always for something that's stimulating and I hope to find a good story that's a challenge, whether it's big or small. Or that it finds me. I don't have like a career plan. Maybe I should, but I don't.

One of the main ways that leadership stays in power is by, in various ways, convincing people that they should just let those who are in government govern: 'Trust us. Trust me. Just let us take care of things. Stay out of it.' Your opinions don't really matter. You are isolated. You are insignificant.

On a practical level, poetry isn't something anybody has really made a great living at. I might sell some books and, once in a while, someone might pay to hear me read.

Captain Fantastic touches on that [division]. You meet this family that lives off the grid in the woods and you go, "Oh, it's some kind of liberal utopian fantasy. The enemy is gonna be all these conservative types that they'll probably run into, and that's going to be the story."

People talk about method actors, meaning someone that's prepared very, very well, or whatever they mean when they talk about it. But the right method is whatever works for you. And what works for me on any given day is going to be different.

In the end, the actor's main power is the power to say, 'No.'