Here's where we are, this is what's happening. So do something, or get out of the kitchen.

In a movie, you're raw material, just a hue of some color and the director makes the painting.

[Captain Fantastic] it's a great story. It's one of the better scripts I've read, ever, as far as being great from beginning to end. It handles a variety of characters. You have six children who all stand on their own, they're all individuals. And it touches on a very real issue, which is the lack of cohesion and communication in America right now.

It is important to keep protesting, to keep forcing a conversation in the public arena. In any case, when you know what the right thing to do is, or that something must be said, it can be immoral and dangerous not to act.

Usually the characters I play are men of few words, who communicate in non-verbal ways.

I've never had a problem with people paying attention to what you're doing and say they find that they liked it.

People will like to say that 'Eastern Promises' is brutal, but the only reason they say that is because the scenes stick with them. They are realistic. They are in-your-face and you see the consequences. It's not a bunch of quick editing cuts.