I could say that in the essay, as it has developed historically, success is determined by the writer's ability to express, through an individual voice, a collective experience - you are speaking individually but you are representing collectively.

I think that when you reveal things that are going to cause pain, you have rhetorical resources in poetry.

When you're an immigrant, you're at the bottom of the ladder. You might not be at the bottom of the ladder economically. Those contradictions led me to feel that the role in society I was given didn't jive with my sense of myself. I think, in fact, that is the case with most people. Everybody feels themselves to be in an original relationship to creation, and feels confined by their social role.

I see myself only sporadically as a teacher and consistently as a writer. Teaching is how I pay the bills...and fortunately, for my students, I can intellectualize about writing, and I can talk about it well, and I like to talk about it.

We live in a trans period. Contemporary issues of sexuality, for example - the exciting aspects of them - have to do with transgenderedness. And there's trans-nationality. There are people like me, for example. I mean, what am I? Am I Indian? Am I American? And I'm not alone in being between things.

Language itself is a mask. It's the first mask in the series of invented selves - they've come right out of language. The way you speak changes you, because when you are speaking, you are representing yourself in a certain way.

It's important for all writers to try to figure out what they're doing.