I think art is the development of this interface between mind and matter, between mind and phenomenon, between what's inside of us and what's happening outside of us. It developed over the course of the last 35,000 years. We made a lot of improvements because it not only gave us the tools to understand the world better, but it also gave us better and better tools to do it. It's that continuous relationship: technology and discernment.

I hate to say I'm a photographer, because I learned photography as I went along. But I also hate to say I'm a painter, a draftsman, even an artist. I think it's good when you're confused about what you are; it means you haven't defined yourself as an artist yet.

I think pure light has something to do with actually seeing everything at once. It's kind of a nirvana of sorts.

Illusions as bad as mine make people aware of the fallacies of visual information and the pleasure to be derived from such fallacies.

Whenever I am tired of making photographs of drawings, I make drawings of photographs.

The great challenge is how to make smart, intelligent art that can speak to everybody.

Now that photography is a digital medium, the ghost of painting is coming to haunt it: photography no longer retains a sense of truth. I think that's great, because it frees photography from factuality, the same way photography freed painting from factuality in the mid-nineteenth century.