Filmmaking is such a collaborative piece of art that you can't look to one person - you couldn't look to me, you couldn't say, 'Because Vin's in it, it's this or that...' It's really all of us coming together for that period of time to try and make magic.

Career diversification ain't a bad thing.

I'm a boy who appreciates a good body, regardless of the make.

I started acting when I was seven-years-old. By the time I was 17 I would say: "If I'm not a star by the time I'm 18, I'll get out of the business."

I enjoy playing a quintessential antihero. There's something therapeutic about playing such characters. I know it sounds corny but I feel like I learn about myself when I play that characters.

I'm a fantasy guy. So I brought the fantasy element to the Riddick, David Twohy brought the sci-fi, and it came together.You see that in every aspect of the film.

I used to do fight sequences, and I started to get self-conscious about fight sequences, because invariably the other person would get hurt, and you never want anyone to be hurt on a film, let alone you being responsible. The great thing about working with guys who have spent their life choreographing fights for wrestling is that that's what they do. That's their specialty. Their specialty is selling taking hits. Their specialty is selling explosive hits without making a contact or doing too much damage.