With The Key, it was, I had gone through a divorce and losing my father, and just kinda really reminiscing about how much I loved the traditional side of country music, so I made a record that was really traditional from start to finish.

Whether it is successful or not is not the exercise for me. It is not up to me. It is out of my hands now. I am not going to in two years have hindsight and say I made a big mistake.

Music is like having a conversation. All musicians inspire each other, and they're all geared to play something that matters.

You can't define the ache that's in George's voice. It's just something inherently him. It doesn't need definition. It doesn't need clarification. It doesn't need a lot of things. You just sit back and appreciate it. It's just greatness.

My last two records that I made were both quite pointed in one direction and I think I do my best stuff when it's all over the map, when there's a couple traditional things, a couple pretty rocking things.

It would be fun to go back and see where all my songs stopped, because I think I'd have every number in the top 100. It never ceases to amaze me. It still hurts when one doesn't work, because you put your heart and soul into it.

There ain't no future in the past.