I think that for me, as far as audience expectations and how you manage your anxiety, it helps to keep things in perspective.

What's so great about making television is that it's a collaborative beast. It's created by a great many hands belonging to a great many people.

I love cable, but not because you can show boobies and say the F-word. I love it because you have more time to think. That's the blessing of it.

[Making meth] is a complex process. The truth of it is that we live in a post-Google world where you can find six recipes for meth in 30 seconds on a search engine.

I stay away from the internet as much as I can. Except for pornography.

Television is a great job for a writer in the way that movies used to be, way before my time. Back when writers in Hollywood were on staff or under contract at any given studio and you'd write movie scripts and then the movies would get made within a few weeks, such that you could be a working writer in the movie business back in the '30s and '40s and '50s and have a hand in writing five or six movies a year that actually got produced. The only thing remotely like that in the 21st century here in Hollywood is working in the TV business.

It's like that old expression: "Men plan and god laughs." You sort of see that in the television world, where you have an idea where things are heading and you have a plan and sort of start off in that general direction, but you wind up taking all these side paths and whatnot - if you're lucky.