I wear a lot of wigs as Jacques Mesrine. He'd wear multiple wigs and take them off one at a time to rob three banks in one hour.

I come from an acting family, my father was an actor, and I had to fight my way and just create my own identity.

You can't escape from what you are.

I liked the idea of working with Jean Reno and Mathieu Kassovitz; there was something logical for me. I thought it was a good thing to do. Actually, The Crimson Rivers movie was a big success, and it was one of the biggest successes I ever had in France.

When you have a bunch of scripts that you have to read, the less you have, the better it is, because otherwise, everything is already planned and I think that's a terrible feeling.

Blood, especially fake, and guns, this is bullshit. It works in the movie, but on set it doesn't work for me.

When you see violence in movies in general, it's very quick and painless, which isn't what it's like.