I was, aged nine, the go-to kid in Minneapolis for a commercial voiceover.

I don't really study television or how things do or don't change. So I don't know anything about that. I'm just a stupid actor.

But now I feel off the grid. I feel that I am not part of the culture. And because I don't have a car I don't really go anywhere to buy things. In fact, I have been in a slow process of selling and giving away everything I own.

You can't compare any job or any friendship or anything to another. I think if you do, it's kind of a recipe for disaster.

I was a nut for Dostoevsky. You can tell a lot from what people read between those ages. My brother was a Steinbeck freak and now he lives in a little village in New Hampshire and he's a baker.

You don't have to be kind. You have to be calm. Once you start showing that people can affect your emotions, then you obviously don't have that much power. If a stewardess can affect your emotional life, then you don't have any power in life and you just showed your whole hand.

I've worked with actors before where I was like, this is not working, and then I've seen their work on the screen and I've been like, Wow, that was a really great performance. Because there are a lot of elements with film. It's not like stage. It's not a kind of performance art anymore; it's a highly tuned kind of collaboration - a symphony.