There are different kinds of passages in the movie [Chicken with plums]. One of the passages is like a sitcom and another is a bit more delicate and another is more bizarre, so you have to have people who know how to navigate that.

Once we were on the set, we each did different kinds of work. I was doing more the technical stuff, the framing and the camera work, and she was working more with the actors. Marjane [Satrapi] and I don't stop speaking once we're on the set. We continue to talk. We define what our roles are going to be on set, because to have a snake with two heads is silly.

The movie [Chicken with Plums] is very delicate, and you need to have people around you that understand what you're doing, otherwise it doesn't work.

I love Taxi Driver. When I saw it the first time, I didn't understand it, but I loved it because I thought the guy was really cool when he's talking to himself in the mirror.

We with [ Marjane Satrapi] always work together on the script which is very important. We even film each other and we start to imagine things so that we are ready, because when you start shooting, it's pretty stressful.

We [with Marjane Satrapi] both have very strong personalities, but that's completely normal, because even if you're very well prepared, you never know when you shoot live action.

We needed to have a great set decorator, a great D.P., a great costume designer, everybody. Without all these people, we would have made a shitty movie.