But what's your ultimate goal, you'll say. That goal will become clearer, will take shape slowly and surely, as the croquis becomes a sketch and the sketch a painting, as one works more seriously, as one digs deeper into the originally vague idea, the first fugitive, passing thought, unless it becomes firm.

If one wants to be active, one must not be afraid of going wrong, one must not be afraid of making mistakes now and then. Many people think that they will become good just by doing no harm -- but that's a lie.... That way lies stagnation, mediocrity.

I am astonished at the high prices paid for works by painters who are dead, prices none of them could expect when they were alive. It is a kind of tulip trade, in which living painters suffer but do not profit.

That this awareness of my own fallibility will prevent me from making many mistakes doesn't alter the fact that I'm bound to make a great many mistakes anyway. But if we fall, we get up again!

If one feels the need of something grand, something infinite, something that makes one feel aware of God, one need not go far to find it. I think that I see something deeper, more infinite, more eternal than the ocean in the expression of the eyes of a little baby when it wakes in the morning and coos or laughs because it sees the sun shining on its cradle.

I wanted to make people think of a totally different way of living from that which we, educated people, live. I would absolutely not want anyone to find it beautiful or good without a thought.

I use color in a completely arbitrary way in order to express myself powerfully.