It's the story that counts.
Cedric Gibbons was the grand cardinal of the art department.
I always liked the Van Gogh story because I was terribly involved in that.
But surrealism is present in most of my pictures.
The Long, Long Trailer (1954) actually happened and the man wrote a book about it. Father of the Bride, same thing; a banker wrote that who had never written anything else.
The Pirate is surrealism and so, in a curious way, is Father of the Bride.