One of the people I've always wanted to emulate in pursuing that dream was Meryl Streep, in terms of the different types of roles she's been able to play and the number of different stories she's been able to tell.

I am not a writer, but I feel that when our production company is successful, we'll be able to give some young writers with fresh voices an opportunity to put their work out there.

Are there women in your world now that have given you those lessons in confidence? Oh absolutely. Meryl [Streep] does it all the time. I think she does it in a way that she doesn't even understand or think she's doing it.

When I go home, I am a slug. I want to do everything completely opposite of what I do on the red carpet. I like to take off all my makeup, put on a t-shirt, be completely unassuming and just do stuff with my husband and my daughter.

On stage you never watch yourself. You just experience it, and then you go home, and you feel pretty good if you gave a pretty good performance or crappy if you didn't. But in TV and film, you actually have to experience it while you're doing it, and then you have to watch it. And then when you're watching it, you watch it with a different sensibility than how you experienced it.

In film, it's up to the director to tell the story in whatever way he sees fit, and however you fit into that ultimate vision is where you fit in. So what you did on that stage, on that set, may not be what you ultimately see when you see the final product. And TV works so fast, it works so fast, it's just about product. The average TV show, one episode shoots eight, 10 days. That's it. You get three or four takes for a scene, and then it's over. But people do it for the money.

For me, that was a hard scene [in "Fences"] to do twenty-something times, which (laughing), I counted. That was difficult, but once I did it, I felt like I could do anything.