The world is very good at encouraging you to go along with the status quo and at basking in your successes. But when you hit a wall in your personal life, and you screw up, people don't give you a chance to navigate your way through it and tap into what's extraordinary about you.

And this is what was fascinating to me about 'The Help'; they were ordinary people who did extraordinary things.

On stage you never watch yourself. You just experience it, and then you go home, and you feel pretty good if you gave a pretty good performance or crappy if you didn't. But in TV and film, you actually have to experience it while you're doing it, and then you have to watch it. And then when you're watching it, you watch it with a different sensibility than how you experienced it.

It made me realize again how complicated being a mother is. You have 50 million heartbreaking moments, and 100 million beautiful, joyous ones.

And "classically not beautiful" is a fancy term for saying ugly. And denouncing you. And erasing you.

Obviously, ["Fences"] is a character-driven piece in every sense of the word, and Denzel [Washington] knows the actor. He gave us two weeks of rehearsal. He is a truth teller, and he is a truth seer. So he knows when something is not going in the right direction, and he will call you on it. But, he knows the word to use to unlock whatever is blocking you. So I think he's fabulous and he's a teacher.

You have to understand being an actress, and being an African American actress of a certain hue, I think that you have to be bold with your choices. Even when you're not bold with your choices, have people see it as bold.