I think that what happens so often on screen is high-stake moments tends to look too pretty. And I just don't think it's honest.

I always say that, like a scientist or anyone, you always want to be the problem-solver. You feel like, if you solve the greatest mystery or the greatest problem, then that makes you brilliant. It's the same thing with an actress. You want to be able to really tackle a character and make it a fully-dimensional human being who is complicated, funny and all the things that a person could be.

It's time for people to see us, people of colour, for what we really are: complicated.

I already optioned a book called The Personal History of Rachel DuPree. I also like The Book of Negroes by Lawrence Hill. And I love all of Octavia Butler's books. She's created some very complicated black heroines with a variety of belief systems. There are many great books out there, but those are a few of the ones that stand out.

You cannot win an Emmy for roles that are simply not there.

August [Wilson] elevates in us is the average man in a way that is heroic and real and human. What you do is you sit with our pathology, you invest in our humanity. We're not walking around like walking symbols like we mean something larger. We're just moving throughout our lives and that's the power of the piece. That's revolutionary.

Knowing the only way out is education, even if you don't have parents that are extraordinarily wealthy. I understand that I have to be an active participant in [my daughter's] education in order for her to thrive in the world.