I would like to say something deeper, but for me, I saw a production of "Fences" in Rhode Island and a fabulous actress played Rose, but when she first came on the stage she was mad. You could just see it. She was all, "Troy stop!" So by the time you get to the revelation scene, I didn't think she loved him, so there was no loss. I think that the real tragedy and the real drama or the thing that makes you lean in is to see the love, to see the commitment. To see the fact that Rose is invested in this marriage no matter what.

That's how I digest it, 'cause I can press the fast-forward button and I know that I'm gonna have to continue to be an actor, continue to make choices, continue to perform in a show every week.

No matter what, people don't think of me for glamorous parts. I'll go to an audition or a meeting in a pretty dress, and they still think of me as depressed or embattled. Hopefully, that will change.

Your internal dialogue has got to be different from what you say. And, you know, in film, hopefully that registers and speaks volumes. It’s always the unspoken word and what’s happening behind someone’s eyes that makes it so rich.

I think that enjoying the fruits of one's labor is very different than arrogance. And when I was younger, I didn't know the difference. I thought that if you were gracious, that meant that you somehow were getting ahead of yourself. And I felt self-deprecation kept you balanced.

I think that you always want to gravitate towards people who absolutely are great at what they do and go for authenticity.

I get so excited when my daughter says something new, which she is doing every day. I can leave the house for a few hours, come back and meet a totally different person. That's very exciting to me.