People call me a theater actor, but I'm just an actor. But I tell my friends all the time - especially a lot that do theater and haven't done a lot of TV/film - that you have so much more control over your work onstage. When you go onstage, you can really see the difference between people who can really do it, and people who are just kind of pretending to do it. There is no editor, there's nothing that's going to stop the actor from showing what they can do unless it's not a well-written role.

I needed to make my wig ogg because I no longer wanted to apologize for who I am

I want to span different genres. I want to be able to transform. I want to be able to be sexy, and funny, and quirky, and all the other things that I am. And I feel that the best way that I can achieve that is by producing.

My husband [Julius Tennon] and I started a production company. We've already optioned a book and some scripts to do exactly that, to create more complicated, multi-faceted roles for African-Americans, especially African-American females. I think it's important.

I can be busy for three years and you may not even know what I'm busy doing because you only see me in a few scenes here or there, but I've been working my tail off because there's just not a lot.

That's why there's so much bad acting out there, because you could see actors watching themselves.

The world is very good at encouraging you to go along with the status quo and at basking in your successes. But when you hit a wall in your personal life, and you screw up, people don't give you a chance to navigate your way through it and tap into what's extraordinary about you.