Are there women in your world now that have given you those lessons in confidence? Oh absolutely. Meryl [Streep] does it all the time. I think she does it in a way that she doesn't even understand or think she's doing it.

I really want my acting to be definitive a lot of times, but I must feel like in any given moment there is a lot of things going on with Rose. I kept telling Denzel [Washington] throughout filming [Fences] that the house is her joy and her tomb.

Relationships change us and make us grow.

I have to say, doing theater, that's what you're trained to do. Doing film, when I first started doing it, felt like something else entirely. It felt like the difference between, I don't know, waiting tables and painting a great work of art. It's night and day. I didn't feel like it was even acting.

The world is very good at encouraging you to go along with the status quo and at basking in your successes. But when you hit a wall in your personal life, and you screw up, people don't give you a chance to navigate your way through it and tap into what's extraordinary about you.

I’m a black woman who is from Central Falls, Rhode Island. I’m dark skinned. I’m quirky. I’m shy. I’m strong. I’m guarded. I’m weak at times. I’m sensual. I’m not overtly sexual. I am so many things in so many ways and I will never see myself on screen. And the reason I will never see myself up on screen is because that does not translate with being black.

When Denzel [Washington] first called me on the phone after we'd just done a reading of the film ["Fences"]. He said, "Oh Viola it was so good, wasn't it?! I'm gonna tell Russell [Hornsby] to lose a little bit of weight and..." I was just sitting there thinking, why is he calling me? And I told him, "Denzel don't you tell me to lose weight!" He said, "I'm not telling you to lose weight! I can't believe you would say that."