...she took her hand and raised her brush. For a moment it stayed trembling in a painful but exciting ecstacy in the air. Where to begin?--that was the question at what point to make the first mark? One line placed on the canvas committed her to innumerable risks, to frequent and irrevocable decisions. All that in idea seemed simple became in practice immediately complex; as the waves shape themselves symmetrically from the cliff top, but to the swimmer among them are divided by steep gulfs, and foaming crests. Still the risk must run; the mark made.

Anecdote: A house that is rooted to one spot but can travel as quickly as you change your mind and is complete in itself is surely the most desirable of houses. Our modern house with its cumbersome walls and its foundations planted deep in the ground is nothing better than a prison and more and more prison like does it become the longer we live there, and wear fetters of a association and sentiment.

It is the duty of the writer to describe.

Once you fall, Septimus repeated to himself, human nature is on you. Holmes and Bradshaw are on you. They scour the desert. They fly screaming into the wilderness. The rack and the thumbscrew are applied. Human nature is remorseless.

The root of things, what they were all afraid of saying, was that happiness is dirt cheap. You can have it for nothing. Beauty.

It was a miserable machine, an inefficient machine, she thought, the human apparatus for painting or for feeling; it always broke down at the critical moment; heroically, one must force it on.

He lay on his chair with his hands clasped above his paunch not reading, or sleeping, but basking like a creature gorged with existence.