. . . to walk alone in London is the greatest rest.

The future is dark, which is the best thing the future can be, I think.

That great Cathedral space which was childhood.

Ruin, weariness, death, perpetually death, stand grimly to confront the other presence of Elizabethan drama which is life: life compact of frigates, fir trees and ivory, of dolphins and the juice of July flowers, of the milk of unicorns and panthers’ breath, of ropes of pearl, brains of peacocks and Cretan wine.

My mind turned by anxiety, or other cause, from its scrutiny of blank paper, is like a lost child–wandering the house, sitting on the bottom step to cry.

For this moment, this one moment, we are together. I press you to me. Come, pain, feed on me. Bury your fangs in my flesh. Tear me asunder. I sob, I sob.

In fact, though their acquaintance had been so short, they had guessed, as always happens between lovers, everything of any importance about each other in two seconds at the utmost, and it now remained only to fill in such unimportant details as what they were called; where they lived; and whether they were beggars or people of substance.