To put it in a nutshell, he was afflicted with a love of literature. It was the fatal nature of this disease to substitute a phantom for reality.

Anyone who has the temerity to write about Jane Austen is aware of [two] facts: first, that of all great writers she is the most difficult to catch in the act of greatness; second, that there are twenty-five elderly gentlemen living in the neighbourhood of London who resent any slight upon her genius as if it were an insult to the chastity of their aunts.

Rhoda comes now, having slipped in while we were not looking. She must have made a tortuous course, taking cover now behind a waiter, now behind some ornamental pillar, so as to put off as long as possible the shock of recognition, so as to be secure for one more moment to rock her petals in her basin. We wake her. We torture her. She dreads us, she despises us, yet she comes cringing to our sides because for al our cruelty there is always some name, some face which sheds a radiance, which lights up her pavements and makes it possible for her to replenish her dreams.

It seemed to her such nonsense-inventing differences, when people, heaven knows, were different enough without that.

Oh, but she never wanted James to grow a day older or Cam either. These two she would have liked to keep for ever just as the way they were, demons of wickedness, angels of delight, never to see them grow up into long-legged monsters.

Half the time she did things not simply, not for themselves; but to make people think this or that; perfect idiocy she knew for no one was ever for a second taken in.

Yet, it is true, poetry is delicious; the best prose is that which is most full of poetry.