Oh and I thought, as i was dressing, how interesting it would be to describe the approach of age, and the gradual coming of death. As people describe love. To note every symptom of failure: but why failure? To treat age as an experience that is different from the others; and to detect every one of the gradual stages towards death which is a tremendous experience, an not as unconscious, at least in its approaches, as death is.

With her foot on the threshold she waited a moment longer in a scene which was vanishing even as she looked, and then, as she moved and took Minta's arm and left the room, it changed, it shaped itself differently; it had become, she knew, giving one last look at it over her shoulder, already the past.

Night had come—night that she loved of all times, night in which the reflections in the dark pool of the mind shine more clearly than by day.

Walden - all his books, indeed - are packed with subtle, conflicting, and very fruitful discoveries. They are not written to prove something in the end. They are written as the Indians turn down twigs to mark their path through the forest. He cuts his way through life as if no one had ever taken that road before, leaving these signs for those who come after, should they care to see which way he went.

I'm fundamentally, I think, an outsider. I do my best work and feel most braced with my back to the wall. It's an odd feeling though, writing aginst the current: difficult entirely to disregard the current. Yet of course I shall.

Life without illusion is a ghostly affair.

I am volatile for one, rigid for another, angular as an icicle in silver, or voluptuous as a candle flame in gold.