Surely it was time someone invented a new plot, or that the author came out from the bushes.

If we face the fact, for it is a fact, that there is no arm to cling to, but that we go alone and that our relation is to the world of reality and not only to the world of men and women.

As for 'drawing you out,' please believe I don't do such things deliberately, with an object -- It's only that I am, as a rule, far more interested in people than they are in me -- But it makes me a nuisance, I know: only an innocent nuisance.

Every face, every shop, bedroom window, public-house, and dark square is a picture feverishly turned--in search of what? It is the same with books. What do we seek through millions of pages?

Peter would think her sentimental. So she was. For she had come to feel that it was the only thing worth saying – what one felt. Cleverness was silly. One must say simply what one felt.

Here was a woman about the year 1800 writing without hate, without bitterness, without fear, without protest, without preaching. That was how Shakespeare wrote, I thought, looking at Antony and Cleopatra; and when people compare Shakespeare and Jane Austen, they may mean that the minds of both had consumed all impediments; and for that reason we do not know Jane Austen and we do not know Shakespeare, and for that reason Jane Austen pervades every word that she wrote, and so does Shakespeare.

There is no stability in this world. Who is to say what meaning there is in anything? Who is to foretell the flight of a word? It is a balloon that sails over tree-tops. To speak of knowledge is futile. All is experiment and adventure. We are forever mixing ourselves with unknown quantities. What is to come? I know not. But, as I put down my glass I remember; I am engaged to be married. I am to dine with my friends tonight. I am Bernard.