For if Chloe likes Olivia and Mary Carmichael knows how to express it she will light a torch in that vast chamber where nobody has yet been.

After that, how unbelievable death was! - that is must end; and no one in the whole world would know how she had loved it all.

If it were now to die, 'twere now to be most happy.

They lack suggestive power. And when a book lacks suggestive power, however hard it hits the surface of the mind it cannot penetrate within.

To whom can I expose the urgency of my own passion?…There is nobody—here among these grey arches, and moaning pigeons, and cheerful games and tradition and emulation, all so skilfully organised to prevent feeling alone.

The good diarist writes either for himself alone or for a posterity so distant that it can safely hear every secret and justly weigh every motive. For such an audience there is need neither of affectation nor of restraint. Sincerity is what they ask, detail, and volume; skill with the pen comes in conveniently, but brilliance is not necessary; genius is a hindrance even; and should you know your business and do it manfully, posterity will let you off mixing with great men, reporting famous affairs, or having lain with the first ladies in the land.

The comparison between Coleridge and Johnson is obvious in so far as each held sway chiefly by the power of his tongue. The difference between their methods is so marked that it is tempting, but also unnecessary, to judge one to be inferior to the other. Johnson was robust, combative, and concrete; Coleridge was the opposite. The contrast was perhaps in his mind when he said of Johnson: "his bow-wow manner must have had a good deal to do with the effect produced.