See the last orange roses, how they blow / Deeper and heavier than in their prime, / In one defiant flame before they go.

There is something intrinsically wrong about letters. For one thing they are not instantaneous. ... Nor is this the only trouble about letters. They do not arrive often enough. A letter which has been passionately awaited should be immediately supplemented by another one, to counteract the feeling of flatness that comes upon us when the agonizing delights of anticipation have been replaced by the colder flood of fulfilment.

It is a sad moment when the first phlox appears. It is the amber light indicating the end of the great burst of early summer and suggesting that we must now start looking forward to autumn. Not that I have any objection to autumn as a season, full of its own beauty; but I just cannot bear to see another summer go, and I recoil from what the first hint of autumn means.

Days I enjoy are days when nothing happens, When I have no engagements written on my block, When no one comes to disturb my inward peace, When no one comes to take me away from myself And turn me into a patchwork, a jig-saw puzzle, A broken mirror that once gave a whole reflection, Being so contrived that it takes too long a time To get myself back to myself when they have gone.

The Saluki is a marvel of elegance.

I suppose the pleasure of the country life lies really in the eternally renewed evidences of the determination to live. That is a truism when said, but anything but a truism when daily observed. Nothing shows up the difference between the thing said or read, so much as the daily experience of it.

But you, oh gardener, poet that you be / Though unaware, now use your seeds like words / And make them lilt with color nicely flung.