I like Richard Serra sculptures too but I wish they had a goddamn hot dog stand inside.

It's not the bullet that kills you, it's the hole.

I can pick out people in this city to follow. I can be in a show at the Museum of Modern Art, my space in the Museum of Modern Art is my mailbox, my mail is delivered there. Whenever I want mail, I have to go through this city to get my mail.

It was an incredible way to grow up, because words that you're taught - these definite things - you realize they sort of beautifully fall apart; that words are tenuous. In the middle of a large word, there's a small word that possibly contradicts the larger word. So I grew up where, on the one hand, the only thing I would ever think of doing was something in writing, music, or art, and on the other hand, I could've reacted strongly against it because it would've been a way to rebel.

Public space can be a lot better with some private space to contradict it and vice versa. It keeps the system alive. If the system is just one thing, then it's closed and it eventually dies.

I like Richard Serra sculptures too but I wish they had a goddamn hot dog stand inside.

[My early performance work] started by being the activity of a person, any person, like any other - but once that person became photographed it became a specialized person, the object of a personality cult.