for me, the beauty of feminism is that it is a social and political movement that has redefined the power and obligation of the self: self-possession and self-regulation as a tool for social reform.

The point of women's liberation is not to stand at the door of the male world, beating our fists, and crying, 'Let me in, damn you, let me in!' The point is to walk away from the world and concentrate on creating a new woman.

We all grew up so utterly vulnerable, enthralled by romantic love as we knew it. First of all, it was pounded into you every which way that you've got to get married and you've got to have babies. That you're not a natural woman if you don't. So that led to a lot of sitting by the telephone and waiting for a call. And that led you into a culture in which you were always in a subordinate position without realizing it; hamstrung, not able to take action. That was the most important thing: you were always waiting to be desired.

Whatever a scientist is doing - reading, cooking, talking, playing - science thoughts are always there at the edge of the mind. They are the way the world is taken in; all that is seen is filtered through an everpresent scientific musing.

A people who have only just begun to emerge from a state of subjugation are in no position to be even-handed ... and it takes much patience and understanding and good will on the part of the strong ones both in the subjugated group and in the group holding the power to provide an atmosphere of stability in which the frightened bravado on both sides of the fence can dissipate itself without increasing the chaos that is already intrinsic in the situation.

Before I knew that I was Jewish or a girl I knew that I was a member of the working class. At a time when I had not yet grasped the significance of the fact that in my house English was a second language, or that I wore dresses while my brother wore pants, I knew--and I knew it was important to know--that Papa worked hard all day long.

Every work [of literature] has both a situation and a story. The situation is the context or circumstance, sometimes the plot; the story is the emotional experience that preoccupies the writer: the insight, the wisdom, the thing one has come to say